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The office space i live above in a corner building in the indish burt area, roughly east of amsterdam, steam desktop authenticator the local police station used to be located here. At that time i didn't live there yet. This place briefly turned into national events due to large-scale riots that took place there. Two moroccan youths were brought to the station for some minor offense. Their friends thought something was wrong for themselves, so they followed the police back to the station to besiege the police there. Not only friends ran after the policemen, but a larger group that suddenly appeared at the station, who came from nowhere, are in this case when they brought the young men. The "flash mob" [1] was still a relatively new phenomenon. The police present instead were unpleasantly surprised, long, long time ago, ,, long time ago, and they had to urgently call for reinforcements to negotiate with the besiegers. When it was all over, a police spokesman said it was a shame that moroccan youths used their mobile phones to mobilize the crowd. How else could these youths be aware at the same time that a thing was going on, when their physical presence was "strongly desired"? And that's where they should appear? What the spokesperson meant was that the youth made up text message mailing lists and then used the text messages to gather as many people as quickly as possible. Text messaging with mailing lists was a popular application because at the time, text messages could be sent and received for free. Recently, flash mobs have attracted the most attention of magazines. Semi-spontaneous public gatherings of groups of people hardly familiar with each other, indescribable, without defining signs, such as banners, uniforms or logos, for a short time performed some collective synchronous action, and at the end they again dissolved into the “extensive audience”. . Directions and information about the gathering were sent out by text message or email, telling participants where, when, and what. These short messages were allowed to be confidently sent to friends and loved ones in order to set off a chain reaction leading to the appearance of an unpredictably large crowd at a predetermined period of time and in a predetermined place. Restore the financial center!! Sometimes shoppers think the "flashmob" phenomenon is the result of a few relatively unmanageable promotions in large malls in american cities that have temporarily and playfully disrupted them. These actions had no political significance at all. A lot has changed in the late 1990s. The then active bring back the streets [2] movement, which organized illegally organized “street raves” in those parts of large settlements, actively used text and automatic address lists to hold quasi-spontaneous street parties. But they presented these street parties with a multi-level political agenda. Parties were usually given specific historical and state pieces and were associated with certain actions, such as supporting a london underground strike. The desire of the movement to also use such actions to free public space from its economically determined function (for example, transport, trade or advertising) was succinctly expressed in the slogan "the streets are accessible!" The parties followed the established procedure. The night before, a sound truck had parked in a wide street with a generator, a dj set, and a huge array of speakers. Shortly before the start, a double collision will be staged at the very beginning and as a result of the street. The decisive factor here was the provision of information to the participants, generally unknown to the steam authenticator pc organizers. Therefore, the participants received a short message containing simple indications of the place, date, hours and minutes, and some instructions, such as "wait for orange smoke - then the rave will begin." The double collision meant working online with no queues and weekends and the street was closed to all traffic. The cars used were equipped with smoke bombs that exploded in the end of the mini-disaster, creating huge plumes of orange smoke visible for most of a mile around. It was the sign the crowd had been waiting for "bring back the street". Suddenly the street filled with people, sometimes more than a thousand at a time, and music blared from a previously parked truck or tour bus. These examples show that “russian railways” live in a space where the public is reconfigured by a multitude of media and any other networks woven into an existing facebook account, vk, classmates, and the political functions of the space to form a “hybrid space”.The traditional space is being overrun by electronic networks such as cell phones and other wireless media. This overlap creates an extremely unstable system, uneven and changing around the clock. The social phenomena taking place in this new type of space cannot be correctly understood without a very precise analysis of the structure of this space. How moroccan youth east of amsterdam used text message lists of links to mobilize themselves quickly and optimally against what they saw as unjustified police violence is indeed a difficult and enticing example of a social group that has found itself socially isolated and stigmatized. Position, appropriating new available technology. . Mobilization was made possible because at that time, real-time mobile communications (text messages) were available at virtually no cost. Not long after this whole incident, text messaging became a paid service, although the reasons for this were more economic than political, and telephone use for this purpose quickly fell out of favor. It was simply too expensive to send so many messages at once. The specific relationship between time, space and technology, and to a small extent simple economics, determined the way this social phenomenon manifested itself. Apart from computer mail, which mostly has to be downloaded from a terminal or laptop (sending email via mobile phone is extremely laborious and inefficient), the brief phase during which text messaging served as a free public medium became an important sensor to changing attitudes in application and organization of public space. The medium's mobility and immediacy have given rise to new social morphologies, including the "flash mob", which so far, apparently, only indicate a kind of mobile "just in time community" in the physical public space. The place of flows... The question here is what this new kind of social morphology might entail. What is behind the trick? What social, economic and technological transformations give rise to new phenomena of this kind? Still the main sociological hypothesis, on this subject is outlined in manuel castells' book "the rise of the network society", the first part of his trilogy about the information age. [3] available, it governs the emergence of flexible social networking ties that ultimately arose in economic and social transformations in late industrial societies and were strengthened by the introduction and widespread use of advanced technologies, almost entirely communication and information technologies. Castells postulates that the network has become the dominant form in the new generation environment, which he calls the network society. He considers the influence of the network form as a social organization in physical and social space and establishes a special kind of dichotomy. According to castells, there are two opposing types of spatial logic: the logic of material points and territories (“the space of place and the logic of the intangible flows of information, communication, services and capital (“the space of flows”). [4] what is especially striking in castells's theory is the strict separation between several kinds of spatial logic.While the space of stalls and territories is clearly localized and concerns local history, tradition and memory, castells sees the space of flows as extra-historical, extra-local and permanent in detail.This latter is solely because it moves through each time zone. And, as a consequence, in a certain sense, not only does not need a location, but also outside of time.[5] castells believes that there is a fundamental asymmetry between the two kinds of space: while so many inhabitants of the world live, dwell and fulfill orders in the world of places and locations, dominant economic, political physical, social and, as a result, also cultural functions are increasingly shifting to a feast of flows, where they enable non-local ahistorical networks, international trends, energy complexes and capital movements. Only a very fraction of the world's population is laid out in organizations that make decisions about the organization and application of new extra-local spatial connections. But as usual, the decisions made in these autonomous systems determine the conditions of being - in these places and organizations where most of the society of the world tries to survive and where their thoughts, experiences and memories are localized. Castells believes that it is not surprising that the political, most hyped social networks, selling and buying issues and civilized bridges must be deliberately built between two spatial dynamics in order to avoid the collapse of society into intractable schizophrenia.The appeal of castells's theory is that the porno bunny allows you to capture and elucidate many asymmetric social phenomena in a single image - an image that certainly has not left mass culture indifferent. At the same time, castells's opposition between physical locations and localities and the intangible space of flows is misleading and, as a result, even counterproductive for such a political program: the deliberate building of bridges between the physical space and the information space. Instead of a strict separation of the physical space and the information space, everything technological and governmental trends clearly indicate that these two "spheres" are increasingly intertwined. A generic model such as that proposed by castells would be completely inadequate for assessing this closeness and for understanding how horizons for public and private action arise here, which is a key question posed in a quality release of open. What threats to the autonomy and integrity of a subject, group, community or cultural self-determination can be found there and how can something be done about such threats? Hybrid space as a polymorphic concept, as opposed to the non-locality and continuity of the non-historical "space of flows" of castells, is opposed to the discontinuity and multiplicity of the hybrid space. The hybridity of this spatial concept refers not only to the stratified nature of the physical area and the electronic network infrastructures contained therein, but equally to the discontinuity of "connectivity" or the degree of connectivity between multiple communication networks. For even the ubiquitous presence of telephone communications cannot be taken for granted. Even more important is the connection between local social and electronic networks: who contacts with whom and for what context is determined differently across the country, and sometimes even from day to day. Since the space of electronic communication is rooted in local networks, it is also dictated by local history. And inquiries about who controls the electronic space or is in contact with the electronic space are not easy to answer. For example, ravi sundaram, co-founder of the new media initiative sarai in delhi, has been raising the need for what he calls "electronic piracy modernity,"[6] which occurs when local music groups or individuals illegally and in the absence of consent to receive access to television, telephone or the internet - "under no circumstances ask permission, just show up!". The hybrid space in life does not exist exclusively locally, as in the case of the idyllic hippie commune at the dawn of the 1970s. Small local networks, hacked or not, will not in the least remain limited to the local bazaar or vegetable market in the neighboring village. Local networks are intertwined with international networks into which they make their way. Thus, according to saskia sassen, the local is recreated as a microenvironment with a global scope. Free software geniuses in the sao paulo favelas have no problem downloading the results of the latest exchange between the amsterdam waag (society for ancient and super modern media) and the alternative law forum in bangalore, but no one is digging their local roots out of the ground. The dictate of visibility what is striking in the current discussions and related criticism of the emergence of electronic media in the public space is the preoccupation with the visual forms in which these media manifest themselves, such as screens, projections and electronic tags. [7] it can be said to be an extended visual critique, closely associated with tradition, which suggests that the visual arrangement of the observed reality has become a necessary prerequisite for every ability to exercise power over this reality. However, along the route of this preoccupation with the visual is a critique of the more invisible processes that are reshaping the public space and imposing a different logic of use. The relatively invisible forms of social coercion that bring these processes to life can be of much greater importance as to how public space can and is ready to be used over time. The concept of an ideal visual location, expressing a social reality in which power structures are perfectly unambiguous and transparent, still always refers to alberti's "legitimate construction" and the ideal city of piero della francesca, which reflect the visual articulation of life, suggesting that different, social and public , fully manageable and designable. Although the unifying point of view of linear perspective has now been abandoned, outdoor screens still condition a unified perspective for them: the correct distance and gaze, and social relations change dramatically.The street screen is also considered to be the epitome of spectacle in its most repressive form. Today, the show is no longer alone in managing the inner life, the inner alienation of the average television addict. The street, the classic stage of modern theater, is overloaded with marching electronic screens and projections that obliterate the public functions of the open space. Public functions are blurred by a stream of light and images, plunging our resource into a fetish of alienating desires as we follow our necessary route through a populated area from a to b. Limitations of the screen an unconditional point of criticism of the new urban visuality is its inherent limitations. In fact, any screen is rectangular, flat and has a limited resolution (the number of pixels that determines the quality of the video sequence). Media artists have been aware of these limitations a decade ago and, with any degree of success, have developed many strategies to try to overcome these limitations, for example, through the spatial type of installation, interactive media in which the screen itself is also an object capable of moving and manipulating, projecting onto those surfaces, fabrics, curved screens, non-rectangular screens, [8] mirror projections, moving projections, projections on glass materials, and so on. Some artists, say members of the knowbotic research collective, are even willing to forego screens entirely, replacing them with new tactile interfaces and stereoscopic helmets from an online research lab or, as in the 1996 holland electronic arts festival, a rooftop installation at the netherlands institute of architecture, where network manipulations were transformed into sound and stroboscopic light. [9] a great example of movement in spite of the screen is the xchange network, where artists collectively explore the sonic dimension of the internet. [10] an innovative generation of media architects is learning from media art that the screen is ultimately a dead end. I like to see how these attempts at iconographic liberation are repeated. The avant-garde artists carried out endless experiments, trying to overtake the frames of the picture, and the surface of the canvas, their final mission was to herald the death of the "retic" object. The same announcement of death is repeated by today's media artists, but at this step in relation to the screen. Media architecture once again reveres the screen as a window into a space that was first thought to be limitless, but later recognized to be highly subject to limitations and conventions. Eventually the screen dissolves into the structure, becoming not just a screen, but a membrane between physical and medial reality. Here, the “image” works less and less as an autonomous object, but simple ones converge more with the architecture itself, its shell, its inner life and its internal processes, finally disappearing from the consciousness of the user of this architecture. The image becomes subconscious, "popular", ordinary, merged with the environment, self-evident - in the end, the spectacle neutralizes itself. The media theorist lev manovich, as before, spoke positively about the new media-improved architecture in our essay titled “the poetics of the extended section with the subtitle “learning from prada” and based on the luck of koolhaas' creation. [11] by now we know in real time that the concept has completely failed, the screens have disappeared from the scene or have been reduced to a minimum. The lesson of prada is that the visibility strategy can turn out to be its opposite with just a couple of clicks. The problem of invisibility at the present stage the most significant change in computer technology and telephone applications is that models are steadily beginning to disappear from view. The european union has been subsidizing for many years a wide-ranging program of interdisciplinary experimentation and discussion under the notable title of the disappearing computer. This name alludes not only to the disappearance of virtual technologies, but to their continued miniaturization and how they are starting to appear everywhere. The program explores the migration of electronic internet technologies into all kinds of objects in the artificial environment, including real beings. The thesis is that miniaturization and the steady minimization of manufacturing costs make it easier to provide a variety of objects with simple electronic functions (chips containing information, tags that can send or receive signals, identification chips and special functions in everyday objects). This is far more efficient than creating even more complex multifunctional devices and means rejecting the old idea of the computer as a universal machine capable of doing all possible functions. [12] in fact, this is how technologies become invisible. A decisive one, with dramatic consequences for how people think about and deal with spatial processes.This assimilation of high technology into ecology creates a new problem: the problem of invisibility. When technology becomes invisible, it disappears from people's minds. The surrounding environment can no longer be perceived as a technological construction, which makes it difficult to discuss the effects of technologies. Lev manovich speaks of "expanded space", a space enriched with technology that is activated only when a certain function is required. [13] wireless transmitters and receivers play a critical role in these enriched spaces. Objects are directly related to portable media. Chips are embedded in passports and clothing. Even purchases are immediately registered by sensors. Screens and information systems are switched on remotely, with a simple wave of the hand. Miniaturization, remote control, and even more so, the mass production of radio frequency identification (rfid) tags are making the age-old technological fantasy of a quasi-intelligent, responsive environment accessible to digital engineers. Of course, these applications are not exclusively neutral. Combinations of the technologies described above make it remarkably easy to introduce fresh and infinitely differentiated regimes of public and private space control. The use of rfid smart cards in public transport, which automatically determines the distance traveled, fare and credit balance, when it sounds relatively innocuous. It has become a widespread practice to implant an identification chip the size of a grain of rice into pets under the epidermis. Indeed, most pet health insurance schemes mandate the insertion of such chips as a condition of entry. However, the first reports have surfaced of security companies in the united states supplying their employees with subcutaneous chips that allow them to walk through secure buildings without the use of keys or smart cards. Such systems also allow companies to set up a specific account for any individual worker, indicating those parts of the building, at least the facility, to which the employer has (or does not have) accessibility and at what time. These practices are easy to extrapolate to society in the role of the whole. Who takes the initiative in such matters? If the initiative belongs solely to the builders, the producers of these expanded spaces as well as the customers, then the space where we exist is subject to total authoritarian control, even if there is no directly observable way in which this space reflects historical characteristics. Authoritarianism. The more initiative is distributed between providers and consumers, and the more decision-making is transferred to “nodes” (network edges occupied by users) rather than “nodes” (network nodes), the more likely it is that a place where a sovereign entity can form its personal autonomy . The articulation of subjectivity in the network of waves also makes it possible for the last vestiges of autonomy to find themselves. Strategic question: "agency" in hybrid spaces the concept of "agency" is difficult to interpret, but it literally combines action, mediation and power. Therefore, therefore, tiles are used as a strategic tool to address issues related to the ongoing hybridization of public and private space. Apart from michel de certeau's tactical acts of spatial resistance to the prevailing utilitarian logic of urban space, specifically, the operation of this tool in high-quality ("extended") hybrid spaces is primarily of strategic importance. The tactical act of spatial resistance, which is finally nothing more than temporary, is hardly comforting to anyone faced with this infinitely varied and adaptive system of spatial control. New hybrid spaces can be deliberately "designed" to develop free spaces within which the subject can temporarily turn away from spatial determination. Given power politics and the huge strategic and economic interests associated with it, as well as the security and verification mandates associated with them, it is clear that such free spaces will not arise on their own or in a natural way. I therefore dream of proposing a series of strategies to enable success in the production of such spaces. Public visibility: "maps and counter-maps", tactical cartography the problem of the invisibility of countless networks penetrating public and private space is ultimately insoluble. However, how they are done is to remake them into a local and visible form, so that they remain visible even in the public mind. This tactic happens to be expressed in "tactical mapping" using wave network tools (gps, internet equipment, 3g, etc.) To expose its authoritarian structure.The aesthetic interpretation of these structures increases the sensitivity of the observer to the "invisible" presence of these networks. Separation the emphasis is always on the right and the desire to be available. By the way, in the future, it will be more important to have the right and power structures to be disconnected, to get a chance for the longest or shortest possible time to disconnect from the wave system. Sabotage deliberate system disruption, infrastructure damage, disruption and sabotage are constantly available as ways to give concrete form to resistance. These measures, meanwhile, will always provoke countermeasures, so in the end the authoritarian structure of the dystopian hybrid space will be strengthened and perpetuated rather than opened up to any form of autonomy. Legal provisions, prohibitions at the post-ideological stage of western society, it seemed that the laws and rights applied in order to legalize things represent the only reliable source of social justification. However, since the system of legal norms is contrary to the sovereignty of the subject, it can never be the embodiment of the desire for autonomy. However, it can play a great role in creating more favorable conditions. Reducing the economic scale. New hybrid spatial planning and management systems depend on a radical increase in economic scale in the production of its management tools. Thus, a political decision to deliberately reduce economic scale would prove to be an outstanding tool to thwart this "scaling up" strategy. [14] accountability and public transparency in the words of master observer david lyon, "forget privacy, focus on accountability." It would be naive to believe that the tendencies described above can be easily reversed even in the presence of strong political will and support of public opinion. The strategy of holding the creators and clients of these new systems of spatial and social control accountable could lead to beneficial results: in the short term. Deliberate violation of the imposed spatial program civil disobedience is another effective strategy, and even more so if it can be organized on a massive scale. Different from sabotage, the task here is not to disrupt or damage control systems, but simply to render them ineffective by massively ignoring them. Finally, the public interest is the interest of everyone, and no other interest has more weight. [15] formation of new social and political actors - public action "agency", the power to act, means to make uses, in some particular form. The complexity of the new hybrid spatial and technological regimes makes one wonder if the idea of action is actually absurd. However, new vk, facebook, odnoklassniki, and political players manifest their strength in the public space in a special way, that they act by grouping, demonstrating a recognizable visuality, marking their habitat "in relation to the competitive (others). The manifestation of specific actions of new commercial and political actors in the public space is a “gesture”. Action in this situation is a way of using space, although there is still a difference between the use of territory and at least some public actions in this space. The use of space becomes undercover, in which case this use takes on a strategic form. Notes: 1. See http://en.Wikipedia.Org/wiki/flashmob for a description. 2. Restore the street site http://rts.Gn.Apc.Org/. 3. Manuel castells, the rise of the networked society (oxford: blackwell publishers, 1996). 4. Ibid. 5. Consider, for example, the concept of a 24-hour economy. 6. "Electronic pirate modernity": see also www.Sarai.Net. 7. See also www.Urbanscreens.Org or the logo parc symposium held in amsterdam on november 16, 2005, a collaborative project between the jan van eyck academy, the premsela foundation and the art and public space lecture group (rieetveld academy and university amsterdam). 8. However, these "curly screens" are a curious analogue of frank stella's curly canvases. 9. Anonymous mumbling: http://www.Khm.De/people/krcf/am/. 10. Xchange network site, http://xchange.Re-lab.Net. 11. Lev manovich, the poetics of extended space: learning, by prada (2002), see www.Manovich.Net 12. The so-called turing machine, named after the mathematician allan turing, is a machine, a machine. 13. Manovich, the poetics of extended space, op. Cit. (Note 11). 14. The mass production of rfid (radio frequency identification) tags has forced manufacturers to minimize the security measures included for your cost-effective tag application on absolutely any conceivable consumer product.A policy of prioritizing the safety and security of chips and the information stored on them would make them too expensive, limiting their development to specialized "niche" markets. 15. Examples of a new kind of civil disobedience are the deactivation of rfid tags using an adapted cell phone, obstruction of smart cards, regular substitution of customer cards, deliberately false information during virtual registration and the choice of "anonymizers" on the internet. , "Encrypted" (coded) mobile phones, and local gsm blockers. This essay was written for the opening issue of open (#11) art and public domain magazine, "hybrid space". The essay raises awareness of a single subject matter and provides some strategic considerations for using the hybrid space. Further information on this subject can be found on the nai publishers website: http://www.Naipublishers.Nl/art/open11_e.Html and on the open platform: http://www.Opencahier.Nl the magazine was posted at de balie, the cultural center and programs in amsterdam on 18 november in conjunction with saskia sassen's 2019 annual skor lecture: "public intervention - the changing meaning of urban conditions". The lecture is available on the internet at: http://www.Debalie.Nl/terugkijken see also: http://www.Debalie.Nl/artikel.Jsp?Podiumid=media